The theatre company trip seeks to “bridge the gap between artist and audience.” Graham Brown, writer and director of the latest trip experience, finding gräfenburg, creates an entanglement of sexual exploration, innocuous flirtation, and office politics in a beautiful gallery space at Hairpin Arts Center, overlooking the bustling intersection of Milwaukee and Diversey.
There is minimal lighting, no central playing space, no seating, and anyone around you could be an actor. This is part of the joy of witnessing this theatrical experience: it feels both familiar and unexpected. This was the feeling of a veteran theatregoer anticipating the unexpected, but being blindsided while waiting.
That is the surface allure of finding gräfenburg. And it works. Ultimately. I will admit having some issues with the first phase of the piece, in which the jump cuts between scenes suffered from partial realized dramaturgy, akin to a poorly conceived long-form improvisation. Space and time were marginalized by relationship and wit. The wide open ground plan of the gallery did not help. Once the play shifted into longer, more focused scenes, I enjoyed the story being told in addition to the marvelous theatrical event I was witnessing.
Sure it is an old trick to hide actors within the audience, but this production blurred that line. What if that actor in the audience was eyeing you the entire time and then began to speak lines? What if there were actors in the audience that never spoke any lines? finding gräfenburg entices one to think like that. This is what succeeds. It’s not just a play. You can go to any theatre in town and sit in a dark room and watch, or, you can go and take a trip.